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A four-channel spatial generative composition is based on a spectral synthesis combined with the amplified sounds of an aerial.
mast and its guyropes set in vibration by a system of electromagnetic hammers controlled by a synthesizer.
new album: Visionaries & Vagabonds, March 16.
new Wilhelm Bras album, Visionaries & Vagabonds, will be released on Marc 16th by Mik Musik.
Object Permanence | site-specific sound installation.
In his sound installation, Paweł Kulczyński temporarily transforms the museum hall of the Faculty of Electrical and Control Engineering into a musical instrument. To achieve this, he works with the physical phenomenon of resonance.
LAMENT | sonic sculpture.
PAWEŁ KULCZYŃSKI „LAMENT”
a part of the project “A Place Where We Could Go”
place: Former Wire Factory, Dubois St. 22, Gliwice.
21st September – 5th October, Tue-Sat 3-6pm.
opening: 21st September, 6pm.
curator: Stanisław Ruksza.
Wilhelm Bras live at LDZ Festival June 2013.
“Dla mnie ten koncert okazał się objawieniem nie tyle w skali festiwalu czy Polski ale wręcz tego, co potrafią zaprezentować artyści na całym kontynencie. Kulczyński złamał konwencje występu kilkakrotnie – postawił skonstruowany przez siebie syntezator modularny na środku sali, wśród publiczności, kazał zagasić światło, a sam wystepował jedynie z górniczą lampką na czole, migocząc nią na wszystkie strony. Zaserwował set obłędny, szalenie płynny i wciągający – oparty przede wszystkim na materiale z Wordlesss Songs for Electric Fire. Jego muzyka, podobnie jak na płycie nie wypadła stricte tanecznie, ponieważ muzyk w trakcie setu, regularnie ją psuł, bawił się rytmiką i wprowadzał na bieżąco modyfikacje. W ciemności tańczył i aż żal, że publiczność nie dała się wciągnąć do tej zabawy – może po prostu dlatego, że jego występ chcąc nie chcąc, wprawiał w osłupienie. Wyjątkowość jego pomysłów tylko potwierdziła jego artystyczną dojrzałość i doskonałe operowanie własnym językiem.’
A Not Particularly Wounding Source Of Distraction.
A Not Particularly Wounding Source Of Distraction.
kwadrofoniczna kompozycja odgrywana na żywo z łodzi pływającej po wrocławskim odcinku Odry.
Wilhelm Bras, Wordless Songs by the Electric Fire.
My new album Wilhelm Bras, Wordless Songs by the Electric Fire.
Wilhelm Bras live at Kronika 2013.
When Attitudes Become Form.
live at LDZ_2.0 Łódź.
Mój od podstaw zbudowany syntezator modularny będzie miał sceniczną premierę. Zapraszam, bywa groźnie.
DIY modular synth.
My dream comes true and winter nights helped a lot. The very first working module of my modular synth (ok, second, but that will come later 😉
One may ask what is the reason to make your own electronic devices. Well, when you play pop it would be really stupid to built a synth yourself. But when it comes to experimental electronics, things are different here. The details come to focus, tiny bits of sounds start to matter. Composers in the 50’s and 60’s have been making their own synths, or were closely participating in building and designing process, because the composing methods and hardware used were often intertwined and there were no synths to buy.
Earlids 3 + tropajn live > Spanien19C, Århus, Denmark.
10.09 – 02.10. 2011.
Each of the works within the planned Earlids series is meant to use similar scheme: live, self-evolving multichannel composition/installation in a darkended room, incorporating environmental sounds, driven by weather condtions and/or other measurable processes (water flow, ocean tides, machinery or people movement, insects etc). The final sonic and spatial outcome of each iteration is expected to vary considerably, given the unpredictable matrix of possible circumstances.
live at Artboom, Kraków 2011.
I don’t release very often, so this live recording is kind of a brief snapshot of my current work. It was a nice evening and I was pretty relaxed that day, so the set goes really smoothly and the final result is fine. So enjoy, listen loud, don’t skip (you bastards always do!) and you’ll be greatly rewarded 😉 The opening piece is played on DIY Benjolin ‘chaos synth’ designed by Rob Hordijk, and it kicks my random ass! If (by any chance) you’d like to invite me somewhere to play a gig, I’d be glad as hell. thanks.
Druga odsłona cyklu Earlids , którego poszczególne części realizowane są według zbliżonej metody: samoewoluująca, wielokanałowa kompozycja/instalacja umieszczona w wyciemnionym pomieszczeniu, do którego transmitowane są odgłosy środowiska zewnętrznego.
DIY ssl studio compressor.
A constant need for a new (or rather old) sound gear makes me feel a little bit guilty of being stuck into ‘want-buy-new-stuff-to-make-better-art’ scheme. So I had decided to somehow punish myself by doing it with my bare hands and well, it’s kind of working! Luckily a lot of plans of classic studio gear I’m really fond of are released into public domain. After intensive winter-nights training I managed to build the first box I’ve always wanted to get – a functional replica of the famous SSL4000 desk stereo summing compressor, very useful in audio mixing and for final touch in live acts also.
There is more DIY studio stuff ahead of me, preparations are under way, big stereo tube-only preamp is coming, but probably next winter 😉
See gyraf.dk for nice DIY projects.
weather controlled, 8 channel city sound processing automaton.
Located in the old town of Kraków, Poland, the installation captures winter city sounds of the nearby street, reconstructs them on fly and pipes into always changing composition, altered by sunlight and outdoor temperature data.
Biomimetics.
Sound installation driven by insects, wind and rain. Consisted of huge 100m 2 self-made stereo contact microphone (100 piezo transducers mounted on foil), strechted over the meadow and plugged directly into PA located in the barn.
Houseworks: Scythe.
live at Mocak, Kraków, 2010.
tropajn live at Mocak, Museum of Contemporary Art Kraków, 2010.
moosk | tsdbtpinntsl.
moosk | tsdbtpinntsl. 2009.
(the shortest distance between two points.
is not necessarily the straight line)
performed live and produced by moosk.
(Bartek Hilszczański & Paweł Kulczyński)
CC some rights reserved.
schmelest.net 002, edition: 20 + digital download.
Converting a Place Into a State of Mind.
I’ve been looking for a reason to perform in this beautiful space of the former concrete plant (Cementownia Grodziec) and the 30th anniversary of its closure seemed fine (30th July 2009). It was the first such a factory in Poland, built in ca. 1860 by the French company, and hugely contributed to the development of infrastructure across the country. Now it is partially demolished by the weather conditions, but still offers amazing sonic possibilities (reverbs, strange filtering) and theatrical boost to anything happening there (actually nothing really goes on in there 😉
Music Means Nothing as a Thing.
live at Coke Plant Jadwiga, April 2009, video available.
Live, outdoor performance by tropajn (Paweł Kulczyński – musician, sound and visual artist) near 19th century coke plant Jadwiga, in the heart of highly industrialized region of Silesia, Poland.
Glossolalia.
Glossolalia, sometimes referred to as “speaking in tongues,” is an unusual mental state associated with specific religious traditions. The individual appears to be speaking in an incomprehensible language over which he or she claims to have no control.
Sorrow Conquers Happiness.
OFF Festiwal, 6th August 2009, Trójkąt Trzech Cesarzy, Mysłowice.
Anneliese Michel.
live at Sperm Festival, Praha.
tropajn live at Sperm Festival, Praha, 2008, video available.
Metropolis, live soundtrack by tropajn.
Metropolis, live soundtrack, 2008, video available 
tropajn | R'N'D.
performed live and produced by tropajn (Paweł Kulczyński)
CC some rights reserved.
schmelest.net 001, edition: 50 signed copies + digital download.
live at MQ Wien / Bürocafé Umpolen.
llive at MQ Wien / Bürocafé Umpolen, 2007, video available.
Music for Orphaned Landscapes 0.2.
Music for Orphaned Landscapes 0.2, 2007, video available.
battery operated PA, koncert w środku dupy.
live at Kronika 2007.
live at Kronika, 2007, video available.
prepared tape loops, slightly modified tape decks.
moosk | wszystkie boże dzieci są sobie równe z powodu hemoglobiny.
moosk | wszystkie boże dzieci są sobie równe z powodu hemoglobiny.
płyta wydana w 2003 roku przez bytomską Kronikę, była elementem wystawy Galeria Organiczna 2.